Mystery, magic and mayhem reigned behind the scenes as well as on screen. Mädchen Amick, Joan Chen, Dana Ashbrook and others recall the making of the beloved TV series – and the genius of David Lynch
David Lynch’s cult TV series Twin Peaks arrived in a world largely unprepared for its mix of glossy Americana, surrealism and horror. Since it was first broadcast in 1990, it has become part of television’s DNA, and stands as one of the greatest achievements of the lauded film-maker, who died last week.
Mark Frost (co-creator): I first met David Lynch in 1985. I had seen Eraserhead in 1979 at a midnight showing in Minneapolis, and I walked out with the oddest feeling and said: “Someday I’m going to work with that guy.” Six years later, a mutual agent of ours thought the two of us would be good to collaborate on a project they were representing, and fostered an introduction. We hit it off from the very first moment. We were laughing within minutes. We loved all the same movies, we knew all the same directors. That project went away, but then another agent approached us and said: “What do you guys think about doing a television project together?” We had nothing to lose.
