Starring an Oscar-tipped Timothée Chalamet, James Mangold’s biopic retells Dylan’s electric early career, but it resonates with today’s toxic fame and politics. The creative team explain their process – and what Dylan makes of it
Bob Dylan is notoriously averse to others poking around in his past – he once suggested the legions of self-styled “Dylanologists” who examine his career in forensic detail should “get a life, please … you’re wasting your life”. So when he summoned the director James Mangold to meet him and discuss the Dylan biopic Mangold was making, it had the potential to go badly.
The film, A Complete Unknown, was already well under way. A script based on the folk musician and writer Elijah Wald’s acclaimed 2015 book Dylan Goes Electric! had been written by Jay Cocks, best known as the screenwriter of Gangs of New York. Timothée Chalamet was slated to star as Dylan: perfect for the role, Mangold suggests, because “he’s thin and wiry and mercurial and super smart and restless and he’s also a really fucking good actor”.
