Netflix’s adaptation of the classic novel isn’t just a steamy, sumptuous treat that’s packed with nice food. It’s also a sharp look at how the ruling classes survive social upheaval
First the Americans came for British period drama. Now the Brits are getting their mitts on Italy’s heritage. In 2020, the US producer Shonda Rhimes sexed-up Regency England with lusty intrigue, soapy storylines and orchestral covers of pop hits to create Netflix’s smash-hit Bridgerton. This year, British screenwriters Benji Walters and Richard Worlow (The Serpent) and director Tom Shankland (SAS Rogue Heroes) are collaborating with the streamer on a bit of pop cultural colonisation of their own.
You can see why they would want to: The Leopard – the trio’s adaptation of Giuseppe Tomasi di Lampedusa’s seminal 1860s novel, set in Sicily – is sumptuous, sensuous, emotionally tempestuous and full of nice food; all qualities our homegrown costume drama tends to lack. But this sweaty, steamy series is far more than a treat for the senses. Behind the frills and the romantic thrills – at the centre of the action is a captivating young love triangle – is a socio-historically insightful tale of an elite clan’s descent into obsolescence.
