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Wallace & Gromit: Vengeance Most Fowl review – first they came for the trousers. Then they came for the robot gnome

Feathers McCraw is back and implacably frightening as ever in Aardman’s latest, belated outing for everyone’s favourite cheese eating duo

This Christmas, the BBC are giving us a cracker: the first new Wallace and Gromit for 16 years. It has all the trimmings: Nick Park as co-director; a starring role for the Pontcysyllte aqueduct; cheese. But before its 25 December TV debut, the new film premieres at the American Film Institute festival in Los Angeles – presumably to enable an Oscar run next year.

But perhaps there’s another reason. For a Halloween premiere feels yet more fitting than a festive one. Wallace and Gromit, lest we forget, has always been surprisingly frightening. The Wrong Trousers was a classic noir, all oblique angles and chiaroscuro. The Curse of the Were-Rabbit featured brainwashing and a vampiric bunny as big as a bus. In A Matter of Loaf and Death, Wallace was romanced by a serial killer. In A Close Shave, he was nearly minced.

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